Lao Motifs

Many motifs of Lao textiles are named after nature, plants, animals, objects, mathematics, and imagination. 

Sample of motifs named after plants:

Rattan Flower

 Water Lily Flower

Kaap Flower (Dok Kapp)

Shaman's Clothes

There are 2 different types of Shamans one is for healing and the other for sending spirit of the dead people to the sky. 

The Shaman wears different colours to go with the conditions, when the Shaman talks to the ancestor spirit he wears the cool colour clothes or white headband, but when he fights with the bad evil he wears the red attire or red headband.

Healing Shaman

  

Shaman for sending the spirit to the Sky

Lao Motif - Sleeping Naga

“Sleeping Naga” is the name of the motif on this woven cloth. The Naga has one eye completely shut, representing the most contented time of this symbolic and powerful super-natural mythical creature. The Sleeping Naga is a symbol of relaxation and happiness and well being.

Lao Animist Woven Textiles – (article #1)

White fabric

White fabric, either silk or cotton, is very important for many Animist. It is a main article or icon for establishing the ceremony. When a member in the family falls ill and cannot be cured with usual herbal medicine, the Shaman will be invited to the house to heal the illness. The Shaman will find out what type of evil takes the sick person’s spirit and the cause of the bad health. The Shaman will offer the white fabric to the evil spirit in exchange of the spirit of the sick person. In the most serious of cases the Shaman has to offer more than 10 rolls of white fabric until he is able to make the evil spirit contented and happy and then agree to return the good health to the victim.

One Motif - Several Belief

Sinh Mii Khor (Tupe skirt with Dot Ikat motif), from Phuan Ethnic, a skirt of simple design that holds special meaning for the woman who wears it. It is said that ones body consists of hundreds of different Spirits counting from the hair down to the toes. The Spirit occasionally remains on the body whilst others rest on the clothes. Whenever one of the Spirits gets lost the body will become sick.  Therefore to keep the Woman and the Spirit healthy and safe, women weave the Mii Khor to wear themselves. Each Khor (dot) of the design represents a resting place for each Spirit. Below is a description of some of the spirits residing in people:

30 spirits on the front of the body

50 spirits on the back of the body

Spirits of all the toes and fingers, including spirits of the fourth and fifth digits side by side

The main spirit of the body at the crown of the head, and spirits of back of the head and forehead

The spirit of vigorously growing things

The spirit of longevity

The spirit of the lips that know what to take in

The spirit of mouth that knows what to eat

The spirit that blows on ears and eyes so they can hear and see

The spirit of broad vision and farseeing

The red dots on the main piece

Dowry from Lao Brides

By the traditional a Lao woman spends at least one or two years to weave and to prepare her dowry before she gets married. The dowry she puts together is items for her new household use and gifts for the groom’s family and relatives.   

There are many different level of dowry depended on how big and how wealthy the family is. Mostly there are from level 3 to level 12, Level 3 is make every thing 3 pieces, level 12 make every thing 12 pieces.

Pillows

Cushion and Floor Cushion

Door Curtain

Bed Sheet

Blanket

Mostquito Net

Shawl

Sinh (tupe skirt)

Different Designs Woven from Lao Floor Loom

There are 5 different main techniques to create the designs from Lao floor loom:

- Multiple heddles.
- Supplementary Warp.
- Supplementary Weft.
- Tapestry.
- Ikat.

Lao Looms

There are 2 types of weaving in Laos:

 Floor loom weaving, and

 Back strab weaving

School of Weaving in Laos

From the ancient time until now Lao women keep passing down weaving techniques and its culture by oral and practical form, weaving subject has not been yet taught and learnt at school, the weaving lesson is available only at some private workshops from early 1990.

Phaeng Mai Gallery opened its handloom weaving facilities to train people of Laos and others in the intricate skill and techniques required to produce Lao textiles.Each course is adapted to suit the weaving experience and here girls from all over the country have been selected for their high motivation and commitment to continue the ancient tradition of Lao weaving.